Mid November 2006
- Elvis Presley's Diamond and Platinum Wedding Ring From His 1967 Marriage to Priscilla Presley; Joseph Maddalena's World-Renowned 'Profiles in History' Upcoming Hollywood Memorabilia Auction, December 14-15, 2006
(PRNewswire, November 28, 2006)
Elvis Presley's diamond and platinum wedding band from his marriage to Priscilla will be among over 3 million dollars worth of exclusive TV and movie memorabilia to be auctioned on Thursday, December 14 and Friday, December 15 by Joseph Maddalena and his internationally-renowned Profiles in History, the number one company in the world for live and simultaneous Internet memorabilia auctions. The two-day auction begins at 12 Noon PST and features more than 900 items.
Elvis Presley's wedding ring is decorated with eight baguette-cut diamonds within a border of sixteen fill-cut diamonds, and has an expected sale price of $100,000 - $150,000. Elvis unveiled the ring at The Aladdin Hotel in Las Vegas on Monday, May 1, 1967, the day he wed Priscilla in a ceremony that celebrated one of the most famous marriages of the 20th century.
"The marriage of Elvis and Priscilla Presley was the most significant wedding in the 20th century. There was Charles & Diana and, of course, Paul & Heather. But there was only one Elvis Presley. The fact that this ring then comes to public auction is just beyond words. This is truly a once in a lifetime opportunity to own a true piece of pop culture history." -- Joseph Maddalena
- E IN VERSE PART 1
Reporter: Ty Perry
(kpvi.com, November 27, 2006)
The history of Rock and Roll is well documented, from Elvis Presley to the Beatles and other musical pioneers that paved the way for rock music. But something that is not widely known is that a major player in the Rock and Roll revolution is from right here in Idaho. ...
- Kings are walking to Vegas
(Aldershot News and Mail, November 23, 2006)
IT'S now or never for an Aldershot Elvis fan who is set to walk to Las Vegas for a record-breaking fundraising trip. Ian Crossman, 39, of Hillside Road, will join 108 work colleagues at Gatwick Airport on December 3 dressed up in Elvis-style jumpsuits. They will sing Elvis' classic Suspicious Minds at the check-in desk to break the world record for the largest group of singing Elvis impersonators. Mr Crossman, a partner at London office design company Maris Interiors, will then take part in a sponsored walk around the aeroplane to America to raise cash for the Rainbow Trust children's charity. The charity helps families of children who have a life-threatening illness....
- New on DVD: Elvis Presley: The Ed Sullivan Shows
[item 3]
(usatoday.com, November 23, 2006)
L1956-57, Image, unrated, $30
Three CBS Sunday nights that made history: Sept. 9 and Oct. 28, 1956, and Jan. 6, 1957.
Back story: Given the fees that mercenary Elvis manager Col. Tom Parker was likely extracting from Ed, these historically invaluable shows are short on "name" backup, though the second features the Broadway cast of Frank Loesser's The Most Happy Fella and the third presents a very young Carol Burnett. More essential for sociological context than entertainment value, the set does feature Elvis' great Reddy Teddy and the still-moving bit on 1957's finale, where Ed tells moms and dads that Elvis is "thoroughly all right." Ed was in the hospital during the debut show, so Elvis was introduced by substitute host Charles Laughton.
* * * (out of four)
- Students gift adds to Ray' love of song
By Louise Eddy
(bathurst.yourguide.com.au, November 21, 2006)
LIFE has been hard for Ray Longworth, but this week something good happened. He was given a CD player and a selection of discs featuring his favourite artists Slim Dusty, Elvis Presley and Johnny Cash. Despite a deep love of music, Ray has never had the money to buy his own CD player. He was overwhelmed when third year Theatre Media students Zena Kells and Jessie Booth handed over the CD player on Tuesday. Ray helped the uni students with their major work. "We interviewed people from the Women's Refuge, Veritas House and the Salvation Army who have had hard lives," Zena said. "Their stories were used as voice-overs for a new kind of animation." The production, which was shown as part of the Sprung Festival earlier this month, will eventually find a home on the internet. ...
- Abraham Lincoln most influential American: survey
(usatoday.com, November 21, 2006)
Abraham Lincoln, the U.S. president who won the Civil War and ended slavery, topped a list of the 100 most influential American figures in shaping U.S. history, a survey released on Tuesday said. The Atlantic Monthly magazine asked 10 notable historians to rank the Americans they felt had the greatest impact on U.S. history.
- Abraham Lincoln most influential American: survey
(Yahoo! News / Reuters, November 21, 2006)
Abraham Lincoln, the U.S. president who won the Civil War and ended slavery, topped a list of the 100 most influential American figures in shaping U.S. history, a survey released on Tuesday said. The Atlantic Monthly magazine asked 10 notable historians to rank the Americans they felt had the greatest impact on U.S. history.
Other figures who made the top 10 included U.S. Presidents George Washington, Thomas Jefferson, Woodrow Wilson and Franklin D. Roosevelt, as well as civil rights leader Martin Luther King Jr. Also included were Alexander Hamilton, Benjamin Franklin, U.S. Supreme Court Chief Justice John Marshall and inventor Thomas Edison.
More than 30 writers including Mark Twain and poet Walt Whitman were in the top 100. More contemporary figures included musician Bob Dylan, golfer Tiger Woods and consumer activist Ralph Nader. Editor James Bennet said in a statement the list was designed to stimulate debate about who had affected the country and how it happened. For example, he asked, "How can Bill Gates be ahead of Elvis Presley, or Presley ahead of Lewis and Clark," referring to the early 19th century overland expedition to the Pacific Coast by explorers Capt. Meriwether Lewis and 2nd Lt. William Clark. Those who compiled the list included Pulitzer Prize-winning author and historian Doris Kearns Goodwin, who said she looked for people "who made it possible for people to lead expanded lives -- materially, psychologically, culturally and spiritually." ...
- Jeremy Slate, Actor, 80, Dies
(New York Times / ASSOCIATED PRESS, November 21, 2006)
Jeremy Slate, a writer and star of the cult film "Hellšs Angels '69," died here on Sunday. He was 80. The cause was complications after surgery for cancer of the esophagus, said his agent, Bonnie Black. Mr. Slate gained fame in the early 1960s on the television series "The Aquanauts," and a few years later he appeared alongside Elvis Presley in "Girls! Girls! Girls!" Often cast as a tough guy, Mr. Slate appeared during the late 1960s in several biker films, including "The Born Losers" in addition to "Hellšs Angels '69." ...
- Great comebacks: 2006 - Jerry Lee Lewis
(The Daily Texan, November 21, 2006)
Jerry Lee Lewis is the last living member of the Million Dollar Quartet (Jerry Lee Lewis, Elvis Presley, Carl Perkins, and Johnny Cash). He is still as inimitable and unpredictable as ever, and he's finally getting the credit he is due with his 2006 release Last Man Standing. Some people may not know who this music legend is, but his comeback is some of his best work. ...
- David Cassidy: Fame left me emotionally stunted
by SARAH GRAHAM
(Daily Mail, November 21, 2006)
His rise to fame in the early Seventies as clean-cut Keith in the Partridge Family made him a teen idol to millions of girls across the world. With a string of hit records and, at one time, a fan club boasting more members than The Beatles and Elvis Presley, David Cassidy appeared to have it all. But by the end of that decade his star had fallen and he was no longer a teen idol. This week, the stage outfits that made so many young girls scream with delight go on display at London's Hard Rock Cafe ahead of a charity auction, while last week he performed for BBC's Children In Need. ...
- DVD Review: Elvis Presley: The Ed Sullivan Shows Special Edition
(Blogcritics.org, November 21, 2006)
September 9th, 1956. The night of a "really big show" on that new-fangled television contraption. It was the first of three separate appearances that Elvis Presley would make on the seminal variety program The Ed Sullivan Show. Now, on technology that would have been considered fantasy back then, you can watch those performances, and the full shows as well, on a brand new Special Edition Three Disc DVD collection entitled Elvis Presley: The Ed Sullivan Shows.
This set shouldn't be thought of for only fans of Elvis though. It should also be of interest to those that into the whole '50s culture and/or the history of modern entertainment. Every one of the discs is a time capsule of what was considered cutting edge production at the time and a view into what was called entertainment for the entire family.
To start with, each disc contains the entire show that Elvis was a part of, from beginning to the end credits. Which means that you see it all, the tap dancers, comedy acts, acrobats, everything up to and including the commercials. At that time, all commercials were done in the studio on air, although cartooning or film clips were often part of the ads, and the host would either read the words themselves or a product spokesperson would. Most of the time, there would only be one sponsor per show and since the commercials were live, they would run anywhere from twenty five seconds to almost three minutes in length. A very laid back approach to advertising when you compare them with the TV ads today, most of which have the production values of major motion pictures.
And the other acts - definitely squaresville if you were the hipster/beatnik type. But the ratings, especially with Elvis on board, give us a reminder that this was Main Street U.S.A. out there and hungry for entertainment. Ed Sullivan hosted a smörgåsbord of talent to fill that need. I watched all three shows in their entirety and not many of the acts stood out in my mind, even a few hours after re-viewing them. A very young Carol Burnett, who would in later years become known as a musical comedienne hosting her own skit comedy show, did a series of impressions. OH...Toby the Dog. I loved Toby the Dog and the little routines that he and his owner did together, very cute and you could see the love between those two partners. The rest of them? Sorry to say, that no one on any of the shows could hold a candle to that young man from Memphis, Tn.
All three discs, also covering Elvis' appearances on October 28, 1956 and January 6, 1957 (two days before his twenty second birthday) have a special features section. Now this part, on each, is an Elvis lover's dream. There they have spliced together E's songs on that night and show them back to back - no other acts or commercials!
Then there are interviews, short but some quite nice. Sam Phillips, founder of Elvis' first label, Sun Records, is the first questioned followed by others like Jerry Schilling (member of the Memphis Mafia and author of Me And A Guy Named Elvis), Gordon Stoker (of the Jordanaires, Elvis long-standing backup singers) and television host Wink Martindale. Each disc has it's own special features different than the others including home movies from Jerry's personal collection.
A fact that might have gotten lost somewhere down the road is that Mr. Ed Sulllivan himself was not the host for his own show, that first of Elvis' three performances. He had been involved in a very serious accident a month before and throughout his recovery, different popular celebrities took over for him. So, instead of Ed, the host for this premiere occasion was British actor Charles Laughton. Known primarily for his dramatic roles (like Bligh in Mutiny On The Bounty) and numerous Broadway productions, he took on this role as Emcee with great relish and dry Brit humor. I'm not quite sure if he was always that jolly, but he really looked like he was having a wonderful time. Totally makes this first disc in the set, for that September 9th show, the best of the lot.
Remember, these recordings are over 50 years old and not filmed or taped but aired via kinescope — an old process used in the beginning days of television — but the quality both audio and visual are clean and clear. The one thing that wasn't done, thankfully, was colorization. Despite the fact that all of the Ed Sullivan Show materials are in black and white, Elvis Presley transcends that medium and is spirited and as bright.
Here I am, so excited about owning this set and having more Elvis to watch whenever the urge strikes, that I almost forgot to tell you about the songs that he sings on each show and thus are on each disc. Elvis loved to perform for his fans, especially in those exciting beginning days of his career, and while there are only really only nine tunes played here, the multiple performances are none the worse for wear.
Disc One, September 9, 1956: Elvis debuted the title track for his upcoming movie Love Me Tender, even though it wasn't even available to buy in the shops. In fact, this show was recorded from the CBS Studios-Television City in Hollywood, California where Elvis was still filming his first feature movie. Following that were "Don't Be Cruel," "Ready, Teddy" and "Hound Dog."
On Disc Two, from October 28th of the same year, he again played "Don't Be Cruel," "Love Me Tender," and "Hound Dog," but added one more tune, the Lieber/Stoller penned "Love Me."
Finally, Disc Three, on January 6, 1957, Elvis made a medley of "Hound Dog," "Love Me Tender," and (for the first time on Ed Sullivan) "Heartbreak Hotel." Right after that he again performed "Don't Be Cruel." Later on in the show, "Too Much" and "When My Blue Moon Turns To Gold Again," are sung back-to-back. One final song closes out that final performance: a soulful version of one of the gospel songs he loved so dearly, "Peace In The Valley."
The packaging for this set is well thought out as it folds out for easy access to all three DVDs. Inside is also a booklet, liner notes, written by well known rock critic, author, editor and historian Greil Marcus. While Greil has put pen to paper about Mr. Presley before, for these notes he concentrates on these three special nights, how they affected him and the world in general.
What struck me most about this set was how well it represents the face that Elvis put on for us. Even back in those early days, he knew how to work a crowd, enjoy the music, and draw people in with his own humility and grace. And that is not something that time or money can buy, though many have tried. He had it all, right from the start to the bittersweet end; but the end is almost too sad to bear for those of us who are Elvis fans. It's a very cool thing to be able to have this collection, and be reminded of this beautiful man and all he gave the world - the world back in the 1950s and the world today.
- Stage news and notes
By Hedy Weiss
(Chicago Sun-Times, November 17, 2006)
We've all recently learned about the impressive earning power of such deceased stars as Kurt Cobain, Elvis Presley and John Lennon. But the royalties also continue to pour in for that fabled but long-gone Broadway musical team of Rodgers and Hammerstein -- whether for professional or community-theater productions or electronic media ventures. ...
- ELVIS' ESTATE SEARCHING FOR IMPERSONATOR
(contactmusic.com, November 16, 2006)
Elvis Presley Enterprises is searching for the first official ELVIS impersonator. The King of Rock 'n Roll's estate is holding a "tribute artist" contest to coincide with the 30th anniversary of Presley's death. Contestants will be selected at Elvis tribute contests, along with fairs, festivals and other venues. The qualifying rounds and finals will be held in Memphis, Tennessee during Elvis Week from 11-19 August (06). Judges will be looking for the "best representation of the Elvis legacy" in talent, appearance, performance, stage presence and each contestant's overall tribute. The best performer will be named the 2007 Elvis Tribute Artist of the Year. Presley, 42, died on 16 August 1977.
- Graceland finally embraces Elvis impersonators
(Yahoo! News Canada / AP, November 16, 2006)
Elvis Presley impersonators who have hung around the fringes of the Graceland mansion for years are finally being invited up to the big house. On the 30th anniversary of Presley's death in August, the managers of Presley's former Memphis home will stage their first official impersonator competition: the "Ultimate Elvis Tribute Artist Contest." It is a big change for Graceland managers, who have always kept the Elvis impersonators at arm's length. But the new managers of the multimillion-dollar Elvis business think such a contest, properly run, could help keep the shine on Presley's image and attract a new generation of fans.
To find the king of imitation kings, there will be a series of qualifying contests staged across the United States and Canada, all licensed by Elvis Presley Enterprises Inc., whose new bosses took over Graceland and the business of the Presley estate last year.
Organizers have just begun looking for sites for preliminary contests and two have been selected so far: Tupelo, Miss., where Presley was born; and Collingwood, Ont., which already holds an annual Elvis festival. "We're looking for the best artist that represents the legacy of Elvis Presley," said Paul Janokowski, Elvis Presley Enterprises' marketing chief. "This is a serious contest."
Elvis imitators performed even before Presley's death Aug. 16, 1977 and now thousands of amateur and professional Elvis wannabes perform at private parties, nightclubs, concerts and fan club festivals around the globe. Impersonator contests are held throughout the United States and abroad, with some of the most popular in Memphis around the anniversary of Presley's death.
Guidelines are not set yet but Graceland wants tasteful, classy performances, preferring singers who might actually sound and look like Elvis, which is not always a given among Elvis impersonators. The Memphis finals will be held over several days during Graceland's annual Elvis "Tribute Week," scheduled for Aug. 11-19.
Graceland is not trying to dominate the world of Elvis impersonators, Janokowski said, but winning the top prize in Memphis or at one of the preliminary contest could not hurt a tribute artist's career. And the performance rules required by Graceland will help set the standards for Elvis impersonators everywhere.
Elvis Presley Enterprises controls the worldwide marketing of Presley's name and image. Once the business arm of the Presley estate, it is now a subsidiary of CKX Inc., which also owns the "American Idol" TV show. The search for an "Ultimate Elvis" is part of the company's new approach to trying to grow the Presley business. "We want to be able to introduce Elvis to a new generation," Janokowski said, "while helping the current core fans embrace this new structure of EPE."
- Elvis Presley Enterprises Announces First-Ever Official Elvis Tribute Artist Contest With the Winner Named "Elvis Tribute Artist of the Year"
Source: Elvis Presley Enterprises, Inc.
(Yahoo! Finance / BUSINESS WIRE, November 16, 2006)
Finals to Be Held During 30th Anniversary Elvis Week, August 11-19, 2007
Expected to Be the Largest Commemoration Ever with Unprecedented Worldwide Attention
For the first time ever, Elvis Presley Enterprises, Inc. (EPE) will produce an official Elvis tribute artist competition. The company announced today that it will launch a search for contestants for the "Ultimate Elvis Tribute Artist Contest(TM)." Contestants will be selected at existing Elvis tribute artist contests, along with fairs, festivals and other venues holding new contests. The first licensed festivals confirmed to hold preliminary contests are the Tupelo Elvis Presley Festival in Tupelo, Mississippi and the Collingwood Elvis Festival held in Ontario, Canada. The qualifying rounds and finals will be held in Memphis during the 30th Anniversary Elvis Week.
"The number of Elvis fans around the world continues to increase as younger people are exposed to Elvis," stated Paul Jankowski, Chief Marketing Officer for EPE. "The Ultimate Elvis Tribute Artist Contest is another way to celebrate Elvis' on-going contribution to the world of entertainment. The contest will appeal to both the Elvis fans who have made the trip to Graceland every year since Elvis' death in 1977 and to the new fans who have just discovered Elvis' timeless appeal." Judges will be looking for the "best representation of the Elvis legacy" in talent, appearance, performance, stage presence and each contestant's overall tribute to Elvis. The best overall performer will be named the "2007 Elvis Tribute Artist of the Year."
Elvis Week, to be held August 11-19, 2007, will mark the 30th anniversary of Elvis' death on August 16, 1977 and is expected to be the largest commemoration ever. Each year, tens of thousands of people arrive in Memphis to celebrate the superstar's life with concerts, charity events, dances, fan club activities and much more.
One of the most anticipated events will be "Elvis: The 30th Anniversary Concert," to be presented at the FedExForum. This concert, like major anniversary shows in 1997 and 2002, will bring together a large cast of Elvis Presley's original concert musicians and back-up singers live on stage with the REAL Elvis Presley starring in the show via video technology. The 30th anniversary concert will be the most elaborate production of the "Elvis video-interactive" concept to date.
For additional information on the Ultimate Elvis Tribute Artist Contest and Elvis Week please visit www.Elvis.com or email Ultimate@elvis.com.
About Elvis Presley Enterprises, Inc.
Elvis Presley Enterprises, Inc. (EPE) is based in Memphis, Tennessee with additional offices in Los Angeles, California. In addition to Graceland and its related attractions in Memphis, including the Heartbreak Hotel, EPE is aggressively involved in a worldwide licensing program, merchandising, music publishing, and television, film, video and Internet projects. For more information on EPE and Graceland, visit www.Elvis.com. EPE is a subsidiary of CKX, Inc. (NASDAQ:CKXE - News; www.CKX.com), a publicly traded company listed on the NASDAQ National MarketŽ under the ticker symbol "CKXE."
Contact:
Elvis Presley Enterprises, Inc.
David Beckwith, 323-845-9836
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